It was conceived over 20 years ago. My Bed was bought by Charles Saatchi for £150,000 and displayed as part of the first exhibition when the Saatchi Gallery opened its new premises at County Hall, London (which it has now vacated). As an artwork which evokes an emotional state of mind, My Bed, executed in 1998, is one of the most iconic images of the young British art movement, arguably Tracey Emin’s most celebrated and seminal work, it lies at the heart of her deeply personal critical attention when it was exhibited at the 1999 Turner Prize exhibition, an event which considerably contributed to the notoriety of the yBa movement. ), The Art of Tracey Emin, London 2002, p. 135). TE: Really surprised, because originally I had wanted to show my beach hut. And then when it went to Japan it was in a big gallery space, you know, that’s what I saw. It’s the bed, however, that’s the modern icon, partly thanks to its headline-grabbing inclusion in the 1999 Turner prize roundup. And if I could show the bed in my next show and my next show and my next show, I would. 31, 35 and 36). ‘To map the movement of My Bed is to interrogate its débordement, its potential for meanings to overspill into the disjunctive yet overlapping contexts of sexual politics, homelessness and displacement at the end of the twentieth century. "(I try to act in that gap between the two.)" Emin’s unflinching stance towards herself as subject resists romanticizing or glamorizing; instead, this intimate installation evokes an emotional state of mind, transforming her possessions to vehicles of desire and the centre of her vulnerability. It’s interesting that in the beginning, each place where I showed it had such different receptions. 104 and 314, no. 96-97). When it was announced, in May 2014, that the work was to be auctioned, David Maupin, Emin's dealer in New York, described the £800,000 – £1.2 million estimate as too low. © Copyright Aleteia SAS all rights reserved. New York, Lehmann Maupin, Every Part of Me’s Bleeding, 1999. And there was very little budget for the show, it was at Sagacho in the old Rice Factory. Saatchi also installed the bed in a dedicated room in his own home. And then in America it was treated like a neo-feminist piece of art. All of the things that are round the bed no longer relate to my life at all, but I’ve got to say I’d be really stupid to be unhappy about this moment. ‘You feel her wilful occupation of Conceptual art’s formal turf (think Bruce Nauman, Richard Serra, Joseph Kosuth) as well as her wicked put down of its pompous austerity and authority’ (J. Avgikos, ‘Tracey Emin Lehmann Maupin New York’. Bringing it back to the Tate, Tate Britain, and showing it with paintings of my choice, I couldn’t be happier about that; it’s just brilliant. $5.99 shipping. My Bed is a work by the English artist Tracey Emin. Art Forum, October, 38 (2), 1999, 139). Nothing that was supposed to be irreverent. Frankfurt, Schirn Kunsthalle, The Making of Art, 2009. It’s very romantic, what I was feeling was the saddest kind of romanticism that anybody could ever imagine. Continuing the legacy of Marcel Duchamp’s readymade, My Bed is the artist’s real, wooden bed – its rumpled sheets, pillows and twisted blankets appear still warm, left in disarray and intertwined with tangled nylon stockings and crumpled towels. Related searches. When I’m installing the bed it’s kind of really sad and very depressing because I’m actually going into a time capsule of my past. FO: You’ve often spoken of the influence of Louise Bourgeois on your practice. Edinburgh, Scottish National Gallery of Modern Art, Tracey Emin: 20 Years, 2008-2009, pp. FO: The suitcases weren’t originally part of the work, were they? My Bed was bought by Charles Saatchi for £150,000 and displayed as part of the first exhibition when the Saatchi Gallery opened its new premises at County Hall, London (which it has now vacated). Amid the yellowing sheets there are condoms, a tampon, a pregnancy test, discarded knickers and a lot of vodka bottles. And when I put it into the white space, for some people it became quite shocking. Paddington, go home: should our fantasy stories be more truthful? With their cartographies of diaspora and address the unresolved longings of identity, the installations of My Bed touch on and point to some of the key concerns of a contemporary moment’ (D. Cherry, ‘On the Move: My Bed, 1998 to 1999’, in M. Merck & C. Townsend (eds. Thank you! TE: Well they changed my life. TE: No, the suitcases were in my bedroom. But I think about the bed almost every day when I make my own bed. TE: From my personal experience of what I’d witnessed and what I’d seen and what I’d felt. (79 x 211 x 234cm.) FO: So really you’re kind of coming round circle and you’re showing with your influences, but also I think something like My Bed will really endure throughout history as an object which speaks of that time but also of a timeless anxiety and how we evolve as human beings. How has your practice evolved? I chose Francis Bacon because his life was kind of pretty chaotic and he just did whatever he wanted to do, drank whatever he wanted to drink, slept with whoever he wanted to sleep with; he was a maverick within society. Tracey Emin: My Bed/JMW Turner, Turner Contemporary, Margate, to 14 January, Available for everyone, funded by readers. I have to give it validity. "My Bed" is a 'work of art' by Brititsh artist Tracey Emin. To these claims the artist retorted, "Well, they didn't, did they? Frankfurt, Schirn Kunsthalle, Privacy, 2012-2013, p. 112 (illustrated in colour, pp. 14-15 (illustrated in colour, pp. This was not present when it was displayed at the Tate. I mean they are bonded together. [3] Prior to its Tate Gallery showing, the work had appeared elsewhere, including Japan, where there were variant surroundings, including at one stage a hangman's noose hanging over the bed. TE: Egon Schiele, Edvard Munch, Bruce Nauman, Rebecca Warren, I like real creativity, I like things which are touched by people’s hands, and I like to feel the transference of energy through that. It’s like a crime scene. Firstly, is a work of art really art when the same ‘item’ is found in various degrees of disorder in every home in the country. I think in the 1990s British art was making such a huge impression on people and all the tabloids were actually genuinely interested in it, regardless of how they set it up, and so that made the public interested in it, and I think the bed captured people’s imagination; it was a good thing for zeitgeist of the time. It was displayed alongside paintings by Francis Bacon and Emin’s more recent drawings, creating a more immersive environment in which to experience the piece up close.. Tracey Emin’s My Bed returned to Tate Britain fifteen years after the work saw her nominated for the Turner Prize. The artwork generated considerable media furore, particularly over the fact that the bedsheets were stained with bodily secretions and the floor had items from the artist's room, such as condoms, underwear with menstrual blood stains, other detritus, and functional, everyday objects, including a pair of slippers. So the bed was really easy because then I could just put all the stuff back in the suitcases. Artwork page for ‘My Bed’, Tracey Emin, 1998. All rights reserved. It was shortlisted for the coveted Turner Prize and although it did not win, the notoriety of the work shot the artist to fame almost overnight. First created in 1998, it was exhibited at the Tate Gallery in 1999 as one of the shortlisted works for the Turner Prize. Tracey Emin In my Family When Someone Dies they are Cremated and their Ashes are Thrown Across the Sea 4 (illustrated in colour, p. 13). became proper boring, Turning the tide: why surf films have lost their counterculture cachet. What if I took out this bed-with all its detritus, with all the bottles, the shitty sheets, the vomit stains, the used condoms, the dirty underwear, the old newspapers- what if I took all of that out of this bedroom and placed it into a white space? 28 (illustrated in colour, pp. And every time it’s different. And then I couldn’t get the beach hut back from San Francisco and I didn’t have the money to ship it back. Saatchi also installed the bed in a dedicated room in his own home. The bed was presented in the state that Emin claimed it had been when she said she had not got up from it for several days due to suicidal depression brought on by relationship difficulties. I think they looked at it like a crime scene - the Japanese customs were horrified by it. We live in an age that craves sensationalism as well as individualism and “uniqueness”. ", Tracey Emin's bed sells for over £12.5 million, https://en.wikipedia.org/w/index.php?title=My_Bed&oldid=985071765, Creative Commons Attribution-ShareAlike License, This page was last edited on 23 October 2020, at 19:45. What if I’d died and they found me here?’ And then I thought, ‘What if here wasn’t here? It consisted of her bed with bedroom objects in an abject state, and gained much media attention. That blue slab of carpet speaks of lonely rented rooms. Her work always wears its heart, and more, on its sleeve. However, there is another element to consider here. But for me actually showing it in a gallery space, in a white space, it was fantastic, because of the moment of clarity and execution, that’s when I first saw its capabilities and all the possibilities I had imagined coming to fruition. I’m also about to have a show at the Leopold Museum in Vienna with Egon Schiele in May, and I’m doing a show with Edvard Munch in Amsterdam curated by Rudi Fuchs next October. TE: Everything about the bed and the cases, everything is really sincere. While Pink and Katy Perry play lip service to politics, the gay Muslim musician represents pop’s real rebels, From The Fresh Prince of Bel Air to Insecure via Migos, how the trope is finally coming of age, The R&B singer talks about epiphanies, privilege and eliminating old friends. This exhibition later travelled to Málaga, CAC Málaga, Centro de Arte Contemporáneo de Málaga, and Bern, Kunstmuseum Bern. Lovers’ spats are lit up in neon. In this confessional work, Emin doesn’t shy away from bringing theatre to one of her lowest points, Fri 27 Oct 2017 10.00 BST ). For something a bit more restful, try a …

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